Festivals: Yorkton Festival 06, Superfest XXVI Int Disabilities FF 06, Picture This...06, Festival Image Sante 06, Frames of Mind 06, Victoria IFF 06, The Other FF 06, Denmark Handicap FF 06, The Moscow Disability Festival 06, Dallas Video Festival 06, DOCNZ 06, INPUT 06: Taiwan, India, The Netherlands, Brasil, Spain, Canada, Zagrebdox 07, Wisconsin FF 07, Emotions Picture FF Greece 07, Sydney IFF 07
Awards: Winner - GEORGE FOSTER PEABODY AWARD – USA 07, Yorkton Festival - Golden Sheaf Award Best Documentary P.O.V., Picture this Festival– Best Documentary by a disabled filmmaker, Superfest - Superfest Award and for Excellence and Superfest Spirit Award, Most Innovative Award - Sichuan TV Festival 07, Ontario Brain Injury Association – Media Award, Festival Image Sante – Honourable Mention, DOCNZ 06 - Special Mention Best International Medium Documentary, Gemini Awards 2006: Winner Best Biography Documentary Program, winner Best Direction in a Documentary, Nomintated Best Writing in a Documentary Program or Series, Nominated Best Picture Editing in a Documentary Program or Series, Japan Prize 2006 - Winner Best program - Winner – Grand Prix Japan, 33rd Brussels IFF 06 - Winner Emile Cantillon Award for Tomorrow's Cinema, Sydney IFF - official selection, Emotions Picture Festival 07 - Winner 2nd prize
Broadcast: CBC Canada The Lens, The Documentary Channel Israel, PTS Taiwan, NHK Japan, TVP Poland, VRT Belgium, TVE Brasil, UR Sweden, Rain TV Optimistic Channel Russia
Original Language: English and French version available

Braindamadj'd ... Take II

Canada / 2006 / Paul Nadler / 42 & 50 mins

Ten years ago, Montrealer Paul Nadler at 30 was a creative maverick – snowboarding, rock-climbing and scuba diving, taking part in all-night play-writing sessions, attracting women, and winning awards as a hip television director. Then he was found alone on a road in Egypt, without clothes and I.D., comatose in the hot sun after a car accident. He had been left for dead. The doctors said he would never recover from TBI – Traumatic Brain Injury. His mother leapt into action, getting him back to one of Montreal’s leading hospitals, and pressing family and friends into round-the-clock attempts to revive her son from the coma from which doctors said he’d never emerge. From there, it became a series of acts of defiance against the doctors’ and therapists’ prognosis (he’d never see, never talk, walk, socialize or do much).
Braindamadj’d…Take II traces the excruciating process of recovery, both physical and psychological. It features Nadler’s often sardonic comments on his progress, and the observations of key people involved in his recovery. Among them are his doggedly supportive mother, Vera Nadler-Hébert, his ironic but firm-willed father Arie; his sister, cousins, friends, colleagues and medical professionals – neurologists and therapists, one of whom asserts that working with Paul has changed the way she treats patients. As the film shows, Nadler sets goals that seem physically and psychologically impossible. Never shying away from attention, Nadler returns to school for his master’s degree in communications, and his career takes a surprise twist.